I remember I’ve seen Bouncer in one of the gaming mags around 2000, and was wowed by the screenshots and the art. It might have even been a preview, and the screenshots fake, but still.
Many years later, it seems I haven’t missed much by not playing it.
The only interesting bit is that I was created by the guy behind first Tekkens, so the movesets of some characters are taken directly from there.
I might still play it at some point, as I adore PS2 aesthetics. But feels I didn’t miss it for nothing.
I always had a special relationship with Mega Man X4. It was the first Mega Man game I’ve seen, because for a strange reason, it was ported to PC. But also, many years later, while trying Mega Man X3 and Mega Man X5 I understood that it hit the sweet spot of looking amazing, unlike X3 which still had SNES era visuals, but still having solid core gameplay, unlike X5.
What I didn’t understand as a kid is that Dragoon literally screams “hadouken” and “shouryuken”, because his moveset is basically Ryu/Ken from Street Fighter.
For some strange reason, Mega Man X Legacy Collection on Switch doesn’t have save states. I rarely use them nowadays, but Mega Man without them is still brutal.
My path is Dragon, which can be beaten with exosuit, and I think that’s the easy choice. Then Peacock, turned out to be easy as well with the fire sword. Then Walrus, for obvious reasons.
Then Lion, you just need to dodge the stomps. And Stingray, despite being weak to the Walrus weapon, can also be taked out with a saber, you can jump safely underneath.
The most trouble, I had with the spider. You need to dash-jump to avoid the homing webs, and even then, I feel that sometimes it’s very hard to do, as his position is quite random.
With Spider weapon, Mushroom is easy. And I left Owl for the last, although with Peacock’s weapon, I could have done it much sooner.
A very well-written dark fantasy. The author didn’t try to reinvent the wheel, basing his world very closely on Scandinavia and Kievan Rus, with names like Yaromir, and “hundathral” being a “dog slave”.
In a typical nowadays manner, the story switches between multiple characters.
One rather funny decision is that half of warriors in this world are female. Which led to an uncanny situation where a lot of women are portrayed as brutal, agressive and rather unpleasant.
When I think of Orca, I imagine Gina Carano:
There are a lot of interesting details not found in other books. Leather covers on spear heads. The fact that characters drink and fill their water bottles, or that they cauterize their wounds.
A tribute to everything 8bit.
The hero is a cyborg. So it’s a tribute to Mega Man.
But he shoots grapling hook. So it’s a tribute to Bionic Commando.
But he uses a whip. So it’s a tribute to Castlevania.
But he also picks power upside that change how his whip behaves. So it’s a tribute to Contra.
The movie is very surreal in its hyperrealistic visuals. It is impressive work for sure: all black-and-white, with unexpected camera angles, ultra-wide shots and changing tempo.
And the soundtrack creates tension out of the most mundane things.
What is interesting to me is that Ripley isn’t portrayed as extremely cunning. He is very greedy, often does stupid things, and killing for him, at least from my view, is more of an impulse than something planned. The only reason he can get away with what he does is that the other characters all have their own vices: the vacuous “artists,” the greedy mafioso, the lazy receptionists.
There are some interesting motifs: everyone’s obsession with the expensive pen, stairs, and of course, Caravaggio.
I gave Circle of the Moon another try on Castlevania Advance Collection.
It’s still a bad game. Had to rewatch the intro multiple times, with no option to skip it, since the very first save point is placed badly, and I died multiple times looking for it.
The level design is obnoxious, with those “wells” that you have to jump from platform to platform, instead of a more serpentine multi-floor designs of some of the later installements. What puzzles me, though, is that the earlier Symphony of the Night got the design right, though!
Then there’s the drop rate… The main feature of the game is that you can combine two types of cards in order to imbue your whip with different powers, which gives you about 64 different options. Sounds great! And the nice thing about the Advance Collection version is that there’s an indicator if an enemy can drop the card, and if you already have it or not. But I spent probably half an hour farming for a very basic card, killing axe armor maybe 100 times, and I still haven’t got it. You know what, this simply doesn’t worth it.
There is a hentai about every character imaginable. And I’m not talking about “fanart”, drawing that are both obscene and childish at the same time. For every new character in a matter of days or weeks there will be probably well drawn hentai available.
And for a rather funny reason.
There are plenty of professional comics artists sitting around. To get a contract for a new comics is extremely hard. There are a bunch of well know artists with a queue of comics, but most get none. But then you can get maybe 50 or 100$ for drawing that Rei girl from Star Wars without much clothing at all.
Beautifully animated metroidvania about a war between medieval rats and toads. The attacks are slow and telegraphed, there are rolls and shield parries, very soulslike. But there are no “bloodstains” to return to, you just start from the latest checkpoint, which is, like in Hollow Knight, is represented as a bench. Healing is interesting: instead of multiple use “estuses”, you have a flask, that replenishes your health the longer you drink it.
The narration is also very different from a soulslike: while rats just squeak and communicate through comics bubbles, there’s an almost constant background narrator, similar to Bastion or Hades.
It’s a sequel to “Tinker, Taylor, Soldier, Spy”, set around Hong Kong and South East Asia. Mostly retold as memoirs: “Afterwards, in the dusty little corners where London’s secret servants drink together, there was argument about where the Dolphin case history should really begin.”
The plot revolves around a journalist/spy, Westerby, that on behalf of British Secret Services tries to shake a Hong Kong millionaire that allies with the Russians to extract his brother from Communist China.
One point that bothered me is that Westerby is obsessed with Lizzie, the millionaire mistress, as he travels along Cambodia, Vietnam and Laos. All that despite having a single dinner with her. A bit creepy, I’d say.
As someone wrote in a review I read, the whole story though feels very inconsequental. The whole operation is set as if to somehow uncover the Russian head of spies. But in the end, it’s like Le Carre forgot about the goal, along his characters, as Westerby is obsesses with buying off Lizzie (which by that point he met twice), while all Smiley gets is some secrets about Chinese submarine program?
Completed Portrait of Ruin.
I usually prefer two handed swords in Castlevania games for their reach, overhead pattern and damage. But in this installment I ended up using Heaven Sword most of the game, switching to Flame Whip and Vampire Slayer at later stages.
After beating the four paintings, you just have a set of bosses left. First, there’s optional Memory of the Whip, which is Richter from Super Castlevania. He can kill you in 5-6 hits, his whip is super quick and has a very good range. I ended up stocking on potions and just kiting him at a range. He basically runs into your weapon, and then you can backdash. With his whip, I just overpowered Brauner, not messing with all his painting magic. It’s impressive technologically how he draws a pattern on a canvas, then the same pattern covers the screen damaging you, but I don’t have patience for this shit.
Then there’s the Dracula and Death duo. Honestly, I think that’s one of the thoughtests bosses I had to face in Castlevania games. Death hovers above Dracula making it difficult to jump over him, hits you while you try to dodge the usual fireballs, can be hit only in double jump, and generally, a pain in the ass. Then there are some Dracula attacks that simply one-shot you.
I’m not sure if it’s the necessity of double jumps, or just the intensity of this fight, but I felt that the controls were very sluggish, like there’s a lag every time I press a button. Maybe it’s the Dominus Collection, or just me. At least the game itself didn’t lag, like the Order of Eclessia when I played it on the original console.
Or maybe the developers intended that you’d attempt this fight only after finishing all the quests. But with the quests such as “kill 1500 enemies with the Javelin skill”, no, thank you very much.
If it wasn’t for the two inverted paintings, and the frustrating final fight, I’d say the game was fantastic. But all in all – I’m not sure.
The first “painting” ain’t bad at all. You get the Owl Transformation spell, that let’s you fly around. No more platforming. The boss, Frankestein Monster, is also okay.
The second painting is a rehash of Carnival theme, and it’s again pain to the eyes. At least as an owl you can fly past most of the traps. The boss, Medusa, looks amazing, but annoying as hell: deals tons of damage, and has an annoying hitbox. I managed to beat her without a guide in the end using the minotaur and that strikes overhead and a meteorite spell, but you need to be super precise to stand just below her head so the tails don’t touch you, as it’s almost a certain death, they multihit.
The other two bosses, Werewolf and Mummy (I’m telling you, they ran out of fresh ideas) are easy in comparison, as they can be team tagged from two sides.
With the owl dorm, the game also unexpectedly becomes kind of indirect control: most enemies can’t hit you, and attack your partner instead. But since damaging him consumes only mana, which regenerates, it’s a great bargain.
Highland Park is a household name, but I don’t remember ever trying their whiskey.
It’s a typical Scotch whiskey, I would say, a bit smokey, a bit sweet, maybe warmer than usual, but nothing above its price.
By December things get dramatic. Nanako, the protagonist 7 years old niece, gets kidnapped. Her father and protagonist’s uncle gets badly injured chasing the suspect. Fog descends on the town. After being rescued, Nanako dies in the hospital.
Unfortunately, that’s where the game starts to get annoying too. In order to get the true ending, you need to pick not obvious dialogue lines, such as “I don’t know about that”, while the gang discusses if they should lynch Nanako’s kidnapper by throwing him into the TV World.
Teddy disappears, but Nanako recovers. Turns out that the first two victims where kidnapped by someone else. And Nanatame, the suspect, was throwing people into the TV World because he believed they’d be safe there from the real killer.
The problem with those investigation mechanics is that there are long dialogs preceding them. And if you fail, you get one of the bad endings, and endless credits, so I just end up restarting the game every time that happens. And I don’t remember 20 characters by their Japanese names, so that did happen.
Yes, I drink so much I’m having this Christmas beer in October.
It’s fantastic. Not as dark as I expected, but full of taste and gives you a good light feel. The interesting bit is it’s more sour than most quadruples.
Of course there’s a False Ending, it’s Castlevania after all. Path to the True Ending in this game is slightly more obvious than in others, though. Or maybe I just played enough Castlevania’s by this point.
First, you obtain the spell the cures vampirism, and you even get to practice it on the monk shopkeeper. And then during battle with Loretta and her sister, you just distract them long enough to cast it.
I also beat them to get the False Ending. They aren’t hard. Funny thing is, the spell is called “Sanctuary”, so it’s not very obvious from its name that it cures vampirism. And I picked it up completely by chance, not evening remembering where.
By that time, I think developers ran out of budget, since they just dump 4 paintings (portals) on you, go and clear those, then come back.
I don’t mind school kids fighting demons inside the TV. But a schoolkid detective helping the police is a bit too much for me. Although that’s as a staple as a TV idol coming to a small town and falling for the protagonist. Detective Conan and all that. Although people tend to forget that Detective Conan was an adult trapped in kid’s body.
But I must admit, the plot twist that Naoto is actually a girl dressing like a boy because otherwise people wouldn’t take her seriously is a good one. And they even managed to tell that story convincingly, instead of going for “you just need gender surgery!”
After playing Torchlight 2 for some time, I decided to give Torchlight Infinite another chance. It’s such a weird experience. The UI is completely stolen from Diablo Immortal, which is no surprise. But the heroes are very weird, as they have names and poetic descriptions instead of proper classes. What does “Frostfire Gemma Ice Fire Fusion” do? Is she a mage or some kind of elemental assassin? You won’t know until you try.
Then there are the skills. There’s basically one main skill, but with modifiers on top. Gemma’s main skill shoots three fireballs in a wide arc (yes, she is a mage). And those fireballs explode into smaller fireballs on contact. So your entire screen is covered in fireballs. And I’m yet to run out of mana in this game. Often, enemies die somewhere off screen, since the range of the fireballs is actually far beyond.
At first I thought it’s some kind of a powered up mode, and then the character will get debuffed. But no, that’s just the way the game plays.
The drops are over the top too. Bosses drop tons of items.
Decided to go back to my beloved Torchlight 2, this time on Switch.
Berserker is not what I expected, at least on Veteran. I thought it’ll be a barbarian. Instead, it’s more of a Assassin, dual wielding and a bit of a glass cannon type.
Then I gave Outlander a chance, which is a ranged class. First thing that surprised me was that the range of pistols is quite limited. Shotguns – I can understand. But pistols barely cross half screen. I think in Diablo 3 and 4 it’s the visibility distance.
I also didn’t know or remember that pets can cast spells, including healing, which helps a lot to recover between fights.
Death boss was the first that gave me a real pause. The spinning scythe homes on you, and the horizontal swipe has a lead: if Death starts telegraphing and you jump, it still can follow you and hit in mid air. It’s also not very clear what the boss is resistant to when it switches colors. But by wasting a few potions, I managed to beat it.
I forgot how much I love the witches design in Castlevania. The fact that there’s a cat familiar sitting on her broom, and then when she’s defeated, she turns into a cat with a witch hat, with the familiar still sitting on her back. So much detail and love.
Deprecated: trim(): Passing null to parameter #1 ($string) of type string is deprecated in /home/u698269573/domains/aleosha.net/public_html/wp-content/plugins/simple-lightbox/includes/class.utilities.php on line 545
