Finished watching Midnight Mass.
One episode that struck me really hard was when the Old Lady, Mildred, gets cured of her dementia and recognizes her daughter again. And the daughter just asks her: “- Mom?”
We are our memories. Without them, we’re just bags of meat and bone.
In Episode 7, there’s an interesting continuation to the “monologs on the sofa” from Episode 4. Riley and Erin discuss the nature of death. Riley then presents death from the biological standpoint: organs failing, release of hormones. Erin presents the Gnostic standpoint: after death our soul raises that is wrapped in love. Finally, in Episode 7 Erin as she dies presents a third standpoint: from the “physicist” point of view, there’s no such thing as life or death, we are just a collection of atoms, and atoms are mostly empty, so we are walking emptiness. And from the Cosmos point of view, or “lives” are so short we may as well not exist at all.
By the end, Warren Flynn, The Young Brother, says another sharp bit:
“- If I’d known at that dinner,
the last dinner, I would have been different”. We rarely know that it’s the last time we see someone we love.
This is something Mildred already addresses, though, when she speaks with Father Paul in the church at the beginning of the episode.
“That’s how it’s supposed to work. It’s supposed to be over.”
Vampire stories are usually just a vessel. Often, just for erotic fantasies about “dangerous but handsome men”. This time: about coping with aging, mortality, addiction, guilt.
Author: TheAleosha
The most intersting bit in this video is that Atari Jaguar was marketed as a 64bit system, because it had 2 32bit processors.
32+32=64 🤦♂️
It also had a third CPU, Motorola 68000, same as Sega Genesis. Some developers didn’t care much about learning a new architecture, so the entire game was running on the CPU, which explains why many games on Jaguar looked like they were running on Genesis.
20th Century Boys
“Becoming an adult means forgetting and moving on to the next thing”
If there’s one character more annoying than Kanna, it’s Koizumi. But I think she’s made like that on purpose: stupid teenage groupie that constantly gets into trouble.
Interesting how from 13th volume the manga changes its tone, from mystery to apocalyptic. And it was written in 2003, long before COVID.
Then it goes back to mystery, with Friend seemingly resurrected. Then to postapocalyptic, with another timejump.
Mistborn, Brandon Sanderson
Finished reading Mistborn.
Reminds me of Hunger Games a lot. It’s enjoyable as long as you read it, but once you stop, it leaves a bad taste in your mouth.
Not much to add to my previous post, really. The most annoying part is how Vin simply states that “Eland is a good man” and she “loves him”. And the rebel leader makes some strategic decisions based on that. Yeah, sixteen year old girls in their first ever relationship are known to be such a good judge of character.
There are some good twists at the end:
Stratford Blue Cheese
This Christmas we discovered the Stratford Blue Cheese at Waitrose, and it is an absolute delight. Something in between brie and stilton. Available at Tesco and Waitrose.
Sekiro: Shadows Die Twice
After success with Mortal Shell decided to give Sekiro a try. This is certainly not “Dark Souls in Japan”. Maybe “Bloodborne in Japan”, but also no. Combat system is heavy on parries, a technique I never bothered with in Souls. There’s no stamina, and not “bloodstains”. However, there are “estus flasks”.
There is a surprising amount of vertical movement. Jumps, double jumps and even a grappling hook. A small surprise there, though, is that Wolf doesn’t catch on ledges automatically. This isn’t Assassin’s Creed or Uncharted.
What bums me, though, is how the game punishes you for dying in so many ways: lost experience, lost money, and key NPC’s getting sick. Not sure I have the patience for this.
Neo Geo MVS
Some random notes:
You can have both English version of Metal Slug and red blood. Just need to enable blood using Soft DIP Switches. To access them, press B+C+D
161-in-1 cartridge is weird. There’s Shock Troopers 2, but not Shock Troopers 1. There’s Sengoku and Sengoku 3, but not Sengoku 2.
Aero Fighters 3 is buggy. Not sure if it’s the ROM that was put on the cartridge or the game itself, but sometimes both you and the enemies become invincible.
20th Century Boys
The manga has it’s ups and downs. Kanna as a character annoyed me, with her “Lend me your strength” and having those kind of “dialogs”:
But then there’s an absolutely brilliant story of Sadakiyo, who was always ignored by his classmates, and the only person that was kind to him was his teacher. Now all the people forgot what he looked like, but when he visits his teacher in old folks home, he’s the only one who recognizes him.
It feels like I read at least up to 12th volume in the past, since I remember Maruo (former fat kid) hiding exposives under his girth. But don’t remember much else.
20th Century Boys
That was one of the first mangas I tried to read. And nowadays, it’s even more nostalgia than ever.
It’s still a difficult read. Constant time jumps between different time periods, many characters with Japanese names and nicknames to remember.
One of the most prominent themes in this manga is the role of the family. Kenji was risen by his elder sister, since his parents were a failure. So now he repays her by taking care of her newborn daughter, Kanna.
The manga also conveys sense of paranoia common to “cult” stories: who can you trust? Who else is a cult member?
My main gripe with the story at the moment, is that at the very beginning Kanna is shown to have some Abilities, and all the characters speak about her as The Last Hope. But only her nanny (an the reader) witnessed those.
One episode that really annoyed me was when Kenji decides not to shoot Friend “because he’s Kanna father”. Yeah, his nephew simply cannot live without her terrorist cult leader biological father she never met!
Mistborn, Brandon Sanderson
I tried to figure out why the entire Vin/Elend Venture love story annoys me so much. And it feels like Shallan/Adolin Kholin all over again for me. Slightly damaged but oh just so slightly teenage girl falls in mutual love on first sight with a son of the most influential House. Vin, who suspects everyone, but Elend is immediately and immutably “a good person” for her.
I guess this type of Disney-level relationship works for certain people (they’re called teenagers). But not for me. Abercrombie gets it, but not Sanderson. Relationship is struggle, and without struggle there is no meaningful relationship. Relationship is compromises, and neither Vin/Shallan nor Elend/Adolin need to compromise on anything.
This frustrates me, because Sanderson does get so many things right. Like the idea of an empire stagnating. But not relationship.
Vivobarefoot Tracker II FG
Been dreaming about those for years. After the initial fiasco, a month and a half later, I find them quite comfortable.
Certainly need to get used to the weight, and also not to strain tendons too much. But feet feel warm and dry, which I certainly like.
High boots are certainly not as easy to slip in. And I wish there were mid waterproof option available.
Completed Inmost.
It’s a relatively short and purposefully easy game. Even if you get killed, you usually respawn nearby. There isn’t much backtracking, and puzzles don’t have many options.
Something between metroidvania and limboid. Cold dark palette. Heavily story-driven, switching between at least 3 different characters that play differently. With the middle-aged man it’s about solving enviromental puzzles, or luring enemies into traps.
With a knight, it’s more about hitting everything with a sword and rolling, but he can’t jump – only use grappling hook in specific areas.
With the girl, it’s also about puzzle solving, but there are no enemies.
Some of the cool action sequences are just that: scenes. Not even QTE.
Under the Silver Lake
A parody on noir movies. Though I feel like I’m not educated enough to appreciate it. Or maybe I simply didn’t watch enough Hitchock?
There’s a dog killer everybody talks about. And a millionaire went missing. And a dude, that is a total dickhead, meets a girl, Sarah, that disappears the next day.
So he goes looking for her. In woman’s restroom, at one point.
He’s a total dickhead, as I said. I found the protagonist to be repelling (I guess this is on purpose, everybody mentions how he smells like a skunk).
The millionaire turns dead, burned in his car with a woman, and the dickhead suspects it’s the same girl he met. He starts obsessing over secret messages, that eventually lead him to an empty atomic bomb shelter and to a cult leader. Turns out the millionaire is not dead, not yet. You see, millionaires use those atomic bomb shelters as tombs. They bury themselves alive in those with their wives to eventually “ascend”. And Sarah is happy with her fate. Is that a commentary on how young girls in LA “sell” themselves to millionaires? Not sure.
Mortal Shell
Completed Mortal Shell.
The game is relatively short compared to Dark Souls: about one third of number of areas, bosses and overall length. Completed it in about 10 hours.
Seat of Infinity is the most tiring temple of the three. Even with the skill that gives you another respawn once you kill enough enemies, it’s a trial of endurance. I ended up running past most of the enemies to get to the boss.
The boss turned out to be the easiest out of the three for me. Maybe because my shell had a long reach and could shrug off some of the damage. Or I was well prepared, and not greedy. Or maybe I just got lucky. But I beat the “siamese twins” on my first attempt, and never looked back. Literally, I just ran all the way out of this cursed temple, not engaging a single enemy.
Final boss proved to be a real challenge for me. Mostly because he summons a lot of quick minions – true bane for my greatsword.
Managed to beat it on my last breath:
Mortal Shell
There are some interesting ideas in this game after all. As I mentioned, the amount of healing items is pretty limited. But one of the characters is able to heal from poison. He also has the lowest health of all of them, though.
Also, there’s no magic outright. But you can find two unlocks for each of the weapons, which are powered by your “rage meter”. Some of those abilities are ranged attacks, while others allow you to imbue the current weapon with one of the elements. Two-handed Martyr’s Blade is especially useful in that regard. It’s cold imbue allows to freeze even some minibosses. At least it worked on Enslaved Grisha.
Midnight Mass
This miniseries has a very Kingy feel, although Stephen King wasn’t very lucky with most of his movie adaptations.
A convict comes to his home island after spending 4 years in prison for killing a woman in a crash while driving drunk. The community is very pious, or to be precise, doesn’t have much to do except going to church. But he doesn’t believe in anything anymore, remaining a stranger.
The detail that really struck me is his room from back when he was a teenager: with posters of Seven, X-Files and Scream. Something that both sets the time and the athmosphere.
Windows 10 language picker
A funny thing happened. I guess it came with one of the sneaky updates.
Now I have two keyboard layouts in my Windows 10, US and UK.
What’s so funny about it? That I cannot see UK layout installed anywhere.
But that means that I need to switch between two layouts, and UK layout has “@” in a weird place.
Managed to solve it only after proactively installing UK layout, and then uninstalling it.
SAS Red Notice
Decided to watch this due to some interesting actors: Ruby Rose (John Wick 2), Tom Hopper (Umbrella Academy), Andy Serkis
The storyline is “back to 90’s”, and very similar to Die Hard or Under Siege: bunch of mercenaries capture a train that runs between London and Paris, that just happens to have a well trained SAS operative heading to his honeymoon onboard.
Female (sorry, genderfluid) villain is surprising nowadays, when the only evil comes from white men. Can a good guy kill a woman, even if she’s a terrorist?
The only interesting idea is that even the good guys in movies are sociopaths. Otherwise, you can’t kill 20 people in a day and just walk away as if nothing happened.
Gunnm: Mars Chronicle
Brilliantly drawn, but storywise, the author doesn’t know how to stop. There are characters upon characters and entire chapters just for the shock content. Girls from an orphanage being killed by soldiers in a false-flag op. A child abused by her parents until she schemes to dispose of them.
Martian Chronicles is both a sequel to Last Order and a prequel to the original Gunnm. It suffers from the same problem as many other prequels, like Star Wars Episode 1, which is call The Messiah Complex.
You seen, in Star Wars 4-6 Darth Vader was a formidable enemy and a very interesting character. But in Episode 1 Lucas made him the result of a prophecy and The Most Powerful Jedi of All.
In the original manga, Alita was a talented warrior, with strong spirit, secret techniques and all. But here we immediately told that even as a kid she’s the result of some Prophecy that would Change the World. I think that approach completely takes agency from the character. Instead of a story of personal growth, we get a story of simply following your destiny all along.
Since all of events happen on Mars and Mars is a German colony in Gunnm (Venus is French, by the way), there’s a lot of germanophilia going on. A lot of german words, soldiers dressed as 3rd Reich, there’s a terrorist organization called “New 3rd Reich” (why not 4th?)
Alita: Battle Angel
Decided to watch it after stumbling upon some fan made music video and thinking “the fights are actually aren’t half that bad!”
I’m genuinely impressed how much of the original manga they managed to squeeze in.
Grewishka, Zappan, Hugo, and the motorball. Even a bit of Mars. It seems that they’ve altered the sequence of events quite a bit, but I read the manga some 20 years ago, so I might be mistaken.
Fight sequences are absolutely amazing. Especially the second fight with Grewishka.
The face capture is seriously impressive as well:
Surprised they left a lot of brutality intact. Zappan splitting a street urchin in two, Grewishka’s eye poked out, Alita’s first body literally diced. Characters being cyborgs is what made that brutality possible in the first place, and back then, it was grounbreaking, someone fighting without legs.
Dialogues are sharp, which is refreshing, after so many movies narrating everything. Here a lot is left unsaid, or at least said only once.
Funny how they use Razer Orbweaver to reconstruct Alita: